no name ten | 7:30pm | Saturday, September 17

Screening

Regina Public Library Film Theatre, 2311 12th Avenue / Lower Level

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Itinerary of Surfaces

Carl Elsaesser, 8:00 min

What I am//What you are//salt and sweat on my tongue. A quarantined love letter of domestic imagination. A year of rain and other fluids. Contentment is a difficult emotion. 26 Main St. Bucksport, ME

WISH

Willow Skye-Biggs, 6:00 min

Wish is a visual poem about a transgender mother and her son who live a rather isolated existence. Reality shifts between layers as they seem to exist in both this world and possibly other worlds. Loosely based on Beauty and the Beast, Wish is a fairytale without a clear narrative, focusing instead on the invisible emotions that moments create. The film shows us an experience of alienation that can be at once both full of magic and deep sadness.

Hand of Power

Dara Gellman, 2020, 6:00 min

Created through the exhaustive collection and categorization of found footage from specific 20th century film sources, Hand of Power mines the liminal space between dream and reckoning, between instrument and agency, and between learning and memory. Interrogating both present-day and retrospective cultural narratives about gender, this video work examines the gestures of the filmic hand as a symbolic agent codifying the quest for control and knowledge. Hand of Power reassembles images as copies of what is remembered and what is newly realized, asking the viewer to linger in the uncomfortable realm of transformation between what was and what is next.

UNTITLED SEQUENCE OF GAPS

Vika Kirchenbauer, 12:31 min

Composed of short vignettes in different techniques and materialities, UNTITLED SEQUENCE OF GAPS uses the form of an essay film to approach trauma-related memory loss via reflections on light outside the visible spectrum – on what is felt but never seen. Carefully shifting between planetary macro scales, physical phenomena and individual accounts of affective subject formation, the artist's voice considers violence and its workings, class and queerness not through representation but from within.

Fenced In Within The Silent Cold Walls

Bassam Al-Sabah, 12:30 min

The CGI film featuring a recreation of my former home in Iraq, which my family cannot return to. As the film moves through the house, digital images begin to escape from the forgotten TV and computer screens and materialise into living forms. These forces surge out in utter destruction, invading the domestic realm without restraint. We then hear a narration in Arabic from my grandmother where she describes the burning of sentimental objects in the home before fleeing, and digital fabrications of these objects appear before disintegrating.

Policephaly in D

Michael Robinson, 23:00 min

Existential drift in the age of rupture. Leaping, falling, and meeting your new self in an earthquake. Losing one’s head, growing another.